Jo Barker Digital Imaging Technician
Jo brings over a decade of on-set and post-production experience to her work as a DIT and colourist, supporting DOPs from pre-production through to final grading. Most recently, she has worked on Beetlejuice Beetlejuice, Bridgerton, Meg 2: The Trench, Suspicion, Belfast, and A Discovery of Witches, providing professional dailies colour and contributing to final grading workflows.
A graduate of Prague’s prestigious Film & TV School of Performing Arts (FAMU), Jo began her career in post-production on both film and digital projects. Her early experience on archival scanning and high-profile grading assignments developed her efficient, calm, and detail-oriented approach, while exposure to top Colourists inspired her to start grading herself.
In her role at Digital Orchard, Jo has successfully merged on-set DIT, lab, and post-production expertise. As a Dailies Colourist on major productions, she creates workflows that enable DOPs to quickly achieve the early visual look of their projects. Combining her cinematography knowledge, technical skill, and passion for colour, Jo delivers immersive and compelling visual experiences for audiences.
| Title | Company | D.O.P. | Role | Format |
|---|---|---|---|---|
| Phoenix (Feature Film in production) | Working Title / Focus Features | Arnaud Potier | DIT (Dailies) | Sony Venice 2 |
| Ghostwriter (in production) | Warner Bros | James Friend BSC | Dailies Colourist | |
| Bridgerton S4 (in post-prod) | Netflix | Jeff Jur ASC | DIT | |
| Ladies First (in post-prod) | Netflix | Haris Zambarloukos BSC GSC | Dailies Colourist | |
| Beetlejuice Beetlejuice | Warner Bros | Haris Zambarloukos BSC GSC | Dailies Colourist | |
| Seance | 20th Century Fox / Disney | Haris Zambarloukos BSC GSC | Dailies Colourist | |
| Die Before You Die | White Lantern | Ben Saffer | Final Colourist | |
| The Meg 2 | Warner Bros | Haris Zambarloukos BSC GSC | Dailies Colourist | |
| Bridgerton S2 | Netflix | Jeff Jur ASC | DIT | |
| Suspicion | Keshet Productions / Apple TV+ | N. Kidd / G. Finney / A. Suschitzky | DIT | |
| Belfast | Lizziepop Films | Haris Zambarloukos BSC GSC | Dailies Colourist | |
| A Discovery of Witches 2 | Bad Wolf | Adam Etherington BSC | DIT | |
| Liar Season 2 | Two Brothers Pictures | Matt Gray BSC | DIT | |
| Giri / Haji | Sister Pictures / BBC / Netflix | David Odd BSC / Piers McGrail ISC | DIT | |
| The Rook | Starz / Lionsgate | P.J. Dillon ISC / Balazs Bolygo BSC HSC | On-set Data Manager | |
| Fortitude 3 | Sky Atlantic / Tiger Aspect Productions | Gary Shaw | DIT | |
| Outlaw King | Anonymous Content / Netflix | Barry Ackroyd BSC | On-set Data Manager | |
| My Dinner with Hervé | HBO | Maryse Alberti | Data Manager | |
| Three Seconds | GillesWorks Ltd | Annette Remler | DIT | |
| Geoff | J Yuill | Hamish Doyne-Ditmas | DIT | |
| The Mummy | Universal Pictures | Salvatore Totino ASC AIC | Telecine / Colour Assist | |
| Paddington 2 | StudioCanal | Erik Wilson BSC | Lab Operator | |
| Where Hands Touch | Pinewood Pictures | Remi Adefarasin OBE BSC | Lab Operator | |
| Life | Skydance / Columbia Pictures | Seamus McGarvey BSC ASC | Lab Operator | |
| Will (Pilot Episode) | TNT | Erik Wilson BSC | Lab Operator | |
| Wonder Woman | DC Entertainment / Warner Bros | Matthew Jensen ASC | Telecine / Colour Assist | |
| The Royals S2 | Lionsgate Television | John Rhodes | Lab Operator | |
| Spectre | Eon Productions/ Columbia Pictures | Hoyte Han Hoytema ASC FSF NSC | Telecine / Colour Assist | |
| Mission: Impossible - Rogue Nation | Paramount Pictures | Robert Elswit BSC | Telecine / Colour Assist |
| Title | Company | D.O.P. | Role | Format |
|---|---|---|---|---|
| Asda | Park Village | Dave Miller | DIT | Alexa Mini |
| Suzuki | Alpha Century | Tom O'Keefe | DIT | C300 |
| Wayback | Thomas Thomas | Bob Pendar-Hughes | Data Manager | VR |